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Allegory of the Five Senses | The Walters Art Museum

At first glace, this is simply a scene in a darkened inn frequented by the poor and down-and-out. Embedding a classical allegory (a symbolic image) in such a subject makes it especially intriguing. Each person acts out one of the five senses: sound is represented by the woman with a lute, at center; taste, by the man emptying a flask of wine; smell, by the young man with a melon; sight, by the man on the right holding a pair of spectacles; and touch, by the two people who are fighting. Paolini's allegory dates from his early years in Rome, where he studied the paintings of Caravaggio (1571-1610), known for their realism and strong chiaroscuro (modeling in light and shade).



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Allegory of the Five Senses | The Walters Art Museum

https://art.thewalters.org/detail/15244

At first glace, this is simply a scene in a darkened inn frequented by the poor and down-and-out. Embedding a classical allegory (a symbolic image) in such a subject makes it especially intriguing. Each person acts out one of the five senses: sound is represented by the woman with a lute, at center; taste, by the man emptying a flask of wine; smell, by the young man with a melon; sight, by the man on the right holding a pair of spectacles; and touch, by the two people who are fighting. Paolini's allegory dates from his early years in Rome, where he studied the paintings of Caravaggio (1571-1610), known for their realism and strong chiaroscuro (modeling in light and shade).



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https://art.thewalters.org/detail/15244

Allegory of the Five Senses | The Walters Art Museum

At first glace, this is simply a scene in a darkened inn frequented by the poor and down-and-out. Embedding a classical allegory (a symbolic image) in such a subject makes it especially intriguing. Each person acts out one of the five senses: sound is represented by the woman with a lute, at center; taste, by the man emptying a flask of wine; smell, by the young man with a melon; sight, by the man on the right holding a pair of spectacles; and touch, by the two people who are fighting. Paolini's allegory dates from his early years in Rome, where he studied the paintings of Caravaggio (1571-1610), known for their realism and strong chiaroscuro (modeling in light and shade).

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      At first glace, this is simply a scene in a darkened inn frequented by the poor and down-and-out. Embedding a classical allegory (a symbolic image) in such a subject makes it especially intriguing. Each person acts out one of the five senses: sound is represented by the woman with a lute, at center; taste, by the man emptying a flask of wine; smell, by the young man with a melon; sight, by the man on the right holding a pair of spectacles; and touch, by the two people who are fighting. Paolini's allegory dates from his early years in Rome, where he studied the paintings of Caravaggio (1571-1610), known for their realism and strong chiaroscuro (modeling in light and shade).
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