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“Crowded Air”: Previous Modernisms in some 1964 New York Little Magazines
Like Ed Sanders’s antagonistically and aptly named Fuck You Press, whose publication list includes bootleg mimeograph printings of W.H. Auden and Ezra Pound, little magazines from 1964 serve as case studies for an avant-garde scene that grapples with the enshrinement of/resistance to previous avant-gardes...and an engagement with social antagonism....Ultimately, these scenes’ interest in social self-documentation is propelled by an attempt to get around the problem posed by the relegation of poems (of whatever aesthetic genealogy) to the cultural sphere.
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“Crowded Air”: Previous Modernisms in some 1964 New York Little Magazines
Like Ed Sanders’s antagonistically and aptly named Fuck You Press, whose publication list includes bootleg mimeograph printings of W.H. Auden and Ezra Pound, little magazines from 1964 serve as case studies for an avant-garde scene that grapples with the enshrinement of/resistance to previous avant-gardes...and an engagement with social antagonism....Ultimately, these scenes’ interest in social self-documentation is propelled by an attempt to get around the problem posed by the relegation of poems (of whatever aesthetic genealogy) to the cultural sphere.
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“Crowded Air”: Previous Modernisms in some 1964 New York Little Magazines
Like Ed Sanders’s antagonistically and aptly named Fuck You Press, whose publication list includes bootleg mimeograph printings of W.H. Auden and Ezra Pound, little magazines from 1964 serve as case studies for an avant-garde scene that grapples with the enshrinement of/resistance to previous avant-gardes...and an engagement with social antagonism....Ultimately, these scenes’ interest in social self-documentation is propelled by an attempt to get around the problem posed by the relegation of poems (of whatever aesthetic genealogy) to the cultural sphere.
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