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Beyond Good and Evil #7: Interlude (IV.63-IV.185)

Listen to this episode from The Nietzsche Podcast on Spotify. A whirlwind tour through the epigrams and interludes of Beyond Good & Evil. A relatively free spirited and brief segment of our analysis before we dive into some of the denser divisions of the work - albeit with a bit easier time in terms of the intellectual labor, given that the major premises of Nietzsche's project have already been outlined in the first half of the work. This part is placed as a 'bridge' between BGE's first and second half, and serves as an example of how one applies Nietzsche's approach to psychology, and his anti-metaphysics. Episode art: Miranda by John William Waterhouse



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Beyond Good and Evil #7: Interlude (IV.63-IV.185)

https://open.spotify.com/episode/5lJKBnwD6Luhb7X9RTQFS3

Listen to this episode from The Nietzsche Podcast on Spotify. A whirlwind tour through the epigrams and interludes of Beyond Good & Evil. A relatively free spirited and brief segment of our analysis before we dive into some of the denser divisions of the work - albeit with a bit easier time in terms of the intellectual labor, given that the major premises of Nietzsche's project have already been outlined in the first half of the work. This part is placed as a 'bridge' between BGE's first and second half, and serves as an example of how one applies Nietzsche's approach to psychology, and his anti-metaphysics. Episode art: Miranda by John William Waterhouse



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https://open.spotify.com/episode/5lJKBnwD6Luhb7X9RTQFS3

Beyond Good and Evil #7: Interlude (IV.63-IV.185)

Listen to this episode from The Nietzsche Podcast on Spotify. A whirlwind tour through the epigrams and interludes of Beyond Good & Evil. A relatively free spirited and brief segment of our analysis before we dive into some of the denser divisions of the work - albeit with a bit easier time in terms of the intellectual labor, given that the major premises of Nietzsche's project have already been outlined in the first half of the work. This part is placed as a 'bridge' between BGE's first and second half, and serves as an example of how one applies Nietzsche's approach to psychology, and his anti-metaphysics. Episode art: Miranda by John William Waterhouse

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