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Study Group on Access to Performance Ephemera

The Study Group on Access to Performance Ephemera is overseen by the Bibliography Section.Terms of referenceThe various types of document produced to accompany musical performances, such as concert programmes, posters and tickets, are primary sources of information for historical and musicological research. Their importance has been highlighted by the increasing prominence of



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Study Group on Access to Performance Ephemera

https://www.iaml.info/en/activities/projects/access_to_performance_ephemera

The Study Group on Access to Performance Ephemera is overseen by the Bibliography Section.Terms of referenceThe various types of document produced to accompany musical performances, such as concert programmes, posters and tickets, are primary sources of information for historical and musicological research. Their importance has been highlighted by the increasing prominence of



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https://www.iaml.info/en/activities/projects/access_to_performance_ephemera

Study Group on Access to Performance Ephemera

The Study Group on Access to Performance Ephemera is overseen by the Bibliography Section.Terms of referenceThe various types of document produced to accompany musical performances, such as concert programmes, posters and tickets, are primary sources of information for historical and musicological research. Their importance has been highlighted by the increasing prominence of

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      The Study Group on Access to Performance Ephemera is overseen by the Bibliography Section.Terms of referenceThe various types of document produced to accompany musical performances, such as concert programmes, posters and tickets, are primary sources of information for historical and musicological research. Their importance has been highlighted by the increasing prominence of reception studies and histories of performance in musical scholarship.
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      The Study Group on Access to Performance Ephemera is overseen by the Bibliography Section.Terms of referenceThe various types of document produced to accompany musical performances, such as concert programmes, posters and tickets, are primary sources of information for historical and musicological research. Their importance has been highlighted by the increasing prominence of reception studies and histories of performance in musical scholarship.
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