azymuth.bandcamp.com/album/outubro

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Outubro, by Azymuth

Outubro by Azymuth, released 24 June 2016 1. Papasong 2. 500 Miles High 3. Pantanal (Swamp) 4. Dear Limmertz 5. Carta Pro Airto (Letter to Airto) 6. Outubro (October) 7. Maracana 8. Un Amigo (A Friend) 9. Dear Limmertz Prelude Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members’ performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics. The album hosts a wonderful mix of tempos and styles, from Alex Malheiros’ earth-shaking slap-bass on ‘Dear Limmertz’, which was to become a hit on London’s underground disco and jazz-dance club scenes alike, to the late maestro Jose Roberto Bertrami’s genial melodic Rhodes excursions on the vocoder laden, samba-jazz masterpiece ‘Un Amigo’, while Ivan ‘Mamao’ Conti’s signature swing on ‘Maracana’ exemplifies the root of Azymuth’s ‘samba doido’ (crazy samba) philosophy. The two cover versions on the album are the title track which was originally penned by Milton Nascimento, and Chick Corea’s, ‘500 Miles High’, both of which magically reimagine the originals and further demonstrate the immense virtuosity of this cult recording.



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Outubro, by Azymuth

https://azymuth.bandcamp.com/album/outubro

Outubro by Azymuth, released 24 June 2016 1. Papasong 2. 500 Miles High 3. Pantanal (Swamp) 4. Dear Limmertz 5. Carta Pro Airto (Letter to Airto) 6. Outubro (October) 7. Maracana 8. Un Amigo (A Friend) 9. Dear Limmertz Prelude Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members’ performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics. The album hosts a wonderful mix of tempos and styles, from Alex Malheiros’ earth-shaking slap-bass on ‘Dear Limmertz’, which was to become a hit on London’s underground disco and jazz-dance club scenes alike, to the late maestro Jose Roberto Bertrami’s genial melodic Rhodes excursions on the vocoder laden, samba-jazz masterpiece ‘Un Amigo’, while Ivan ‘Mamao’ Conti’s signature swing on ‘Maracana’ exemplifies the root of Azymuth’s ‘samba doido’ (crazy samba) philosophy. The two cover versions on the album are the title track which was originally penned by Milton Nascimento, and Chick Corea’s, ‘500 Miles High’, both of which magically reimagine the originals and further demonstrate the immense virtuosity of this cult recording.



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https://azymuth.bandcamp.com/album/outubro

Outubro, by Azymuth

Outubro by Azymuth, released 24 June 2016 1. Papasong 2. 500 Miles High 3. Pantanal (Swamp) 4. Dear Limmertz 5. Carta Pro Airto (Letter to Airto) 6. Outubro (October) 7. Maracana 8. Un Amigo (A Friend) 9. Dear Limmertz Prelude Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members’ performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics. The album hosts a wonderful mix of tempos and styles, from Alex Malheiros’ earth-shaking slap-bass on ‘Dear Limmertz’, which was to become a hit on London’s underground disco and jazz-dance club scenes alike, to the late maestro Jose Roberto Bertrami’s genial melodic Rhodes excursions on the vocoder laden, samba-jazz masterpiece ‘Un Amigo’, while Ivan ‘Mamao’ Conti’s signature swing on ‘Maracana’ exemplifies the root of Azymuth’s ‘samba doido’ (crazy samba) philosophy. The two cover versions on the album are the title track which was originally penned by Milton Nascimento, and Chick Corea’s, ‘500 Miles High’, both of which magically reimagine the originals and further demonstrate the immense virtuosity of this cult recording.

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      Outubro | Azymuth
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      Outubro by Azymuth, released 24 June 2016 1. Papasong 2. 500 Miles High 3. Pantanal (Swamp) 4. Dear Limmertz 5. Carta Pro Airto (Letter to Airto) 6. Outubro (October) 7. Maracana 8. Un Amigo (A Friend) 9. Dear Limmertz Prelude Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth’s run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members’ performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics. The album hosts a wonderful mix of tempos and styles, from Alex Malheiros’ earth-shaking slap-bass on ‘Dear Limmertz’, which was to become a hit on London’s underground disco and jazz-dance club scenes alike, to the late maestro Jose Roberto Bertrami’s genial melodic Rhodes excursions on the vocoder laden, samba-jazz masterpiece ‘Un Amigo’, while Ivan ‘Mamao’ Conti’s signature swing on ‘Maracana’ exemplifies the root of Azymuth’s ‘samba doido’ (crazy samba) philosophy. The two cover versions on the album are the title track which was originally penned by Milton Nascimento, and Chick Corea’s, ‘500 Miles High’, both of which magically reimagine the originals and further demonstrate the immense virtuosity of this cult recording.
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